Check out this track. It’s called “Sun Hand” and its by Local Natives.
I first saw this band open up for one of my favorite bands, Facing New York at the Troubadour in West Hollywood. That was in October 2008. Phew, that sounds like a longgg time ago.
Anyway, one of the openers was a group called Local Natives, who true to the name, looked like a bunch of barefoot hobbits bouncing around on stage playing guitar, jumping, stomping, screaming and singing. It was a spectacle.
My friend Jon was even more blown away than I was.
I never got around to listening to them because I was so infatuated with FNY’s new release, “Get Hot.”
Now, the Natives are buzzworthy, receiving rave reviews from NPR and coverage on Pitchfork.
The five-piece has an eclectic, energetic folk-heavy indie rock sound with a roots in the ground kind of feel. They were just signed onto Frenchkiss Records, the same label as Passion Pit. Now there’s a winning combination.
I chose “Sun Hands” because right around 2:55 into the song, shit starts getting really good. Right at the breakdown, I’m jolted awake. It’s not hard to fall asleep to the shimmery guitars and airy vocals of a lot of indie, but as soon as the stomping and clapping kicks in, it turns the song into something much stronger. I just wish they could have a whole song like that. So I didn’t have to wait three minutes just to get to the good part.
The Natives’ debut album “Gorilla Manor” isn’t actually “out” until Tuesday February 16, but I’ve had it for a couple weeks now. (Don’t tell the RIAA!)
And it’s sounding real good. “Airplanes” is the single-ready track, which I’m sure will blow up in exactly six months until this band becomes revered along the lines of Yeasayer, Passion Pit and maybe even MGMT.
KCRW is all over these guys, so catch on while it’s hot. You’ll thank me later.
So my biggest problem with blogging is that I don’t take enough time to actually do it!
Right now, my schedule is pretty intense — Monday Wednesday Fridays @ Current TV in Hollywood (more on my experiences with LA public transportation to come). The other four days of the week are at The Apple Store in Brea. The rest of my time consists of sleeping, eating (yet another topic of discussion to come), drinking girlfriend, email, etc.
Though I do spend a lot of time on computers, I tend to be doing other things. Like devouring news, interning, and selling them.
Computers aside, let’s get to last week’s shows (I know, sooo outdated. so sorry. my post times should improve with the upcoming purchase of a long-awaited iphone (more on that later, again)…
The experimental indie group started a dance party at the Troubadour Sept. 27.
!!! (pronounced, sometimes written chk chk chk) rocked the house at the Troubadour in West Hollywood, one of my all-time favorite venues. Small club with two bars, and a very up close and personal stage.
Played a lot of good ones from “Myth Takes” and an older one called “Intensify” that was awesome.
An all-out dance funk party. The crowd was into it; touching, fondling and grooving to the somewhat homoerotic dance moves and hip thrusts from frontman Nic Offer.
And there was an awesome old-school cool black lady singing gospel-punk style backup, dancing and clapping when she didn’t have a part.
The eight piece Brooklyn ensemble definitely kicked ass, and the crowd interaction with Offer was great. He even went up to the green room at one point mid-set, not coming back to the stage until a few minutes into a new song.
Most impressive though? The Troubadour fans actually screamed and clapped loud enough, for a good long 1 or 2 minutes (gasp!) before the band returned. Which in writing doesn’t seem all that cool, but if you’ve been to as many rock shows as I have where the audience hammers out a clap for under 30 seconds before a group comes back, that’s just lame. If you’re gonna put on an encore, make sure it’s really worth it! I can’t remember what songs were played for the encore because it’s been too long, so we’ll move on.
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Rewind one night and I’m at the Glasshouse in Pomona. I love this locati0n. Mostly because I can catch great bands really close to home. I live a good mile away from downtown Pomona and have been taking the Metrolink from there to get to Hollywood lately. The train station is actually quite nice. A transit center for buses too. But I also love the Glasshouse because there’s now an amazing bar next door called Acerogami. Nothing on tap disappoints me greatly; but Perry Tollet, the owner of the Glasshouse, Acerogami, and part-owner of the Pomona Fox and Goldenvoice, apparently has a thing for Souther American beers…so besides the basic low quality bottles of domesticated Coors and Miller stuff, ask for the unique ones.
Getting to the point here, I went with my buddy Art to see Portugal. The Man. This is a band I will not stop talking about. You can watch or listen to a live performance in the KCRW studios here from a few weeks ago to see what I mean. The band’s live show has evolved greatly from simply performing excellent quirky indie numbers to turning the set into a full-on jam experimental jam session with a few pop morsels from their latest, The Satanic Satanist, to round things out.
Words can’t describe, so go here for yourself. I’ve still got a tune called “The Sun” sitting in my box widget over on the right hand side that you can download, free of charge. I’m sure the Alaskans by way of Portland (from Alaska, residing in Portland) wouldn’t mind. Share the love right
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TO finish this age-old update, I also caught Wallpaper (I know, crazy fuckin week) on Tuesday @ Cinespace. An entertaining performance for sure. Amazing? Naw, but we had fun. Wallpaper, I recently discovered, is a hilarious side project of Eric Frederic. Who is he? He is someone I’ve been following for years, fronting Locale A.M. and more recently Facing New York. FNY is incredible — an audio triceratops as Matt Embree of RX Bandits once referred to them as in conversation.
Wallpaper is more of an autotune R&B white rapper kinda thing that is ridiculous in far too many ways to explain. The dude’s wearing white jeans, a 70s style shirt, a gold chain, shades and a hat, singing about “going big on the weekend” in my personal favorite: T-Rex. See for yourself…thanks to my friend Claire for introducing me, not knowing who was behind the creation, and to my friend Grant who probably thinks its awesome:
In two weeks and less than five hours from the time of this blog post, the fourth season of Current TV‘s “Vanguard” returns.
Interestingly enough, I have been interning with the team of about 14 for about two weeks as well. The duties have ranged from transcribing to researching and assisting the correspondents, and should hopefully flourish into something more participatory where I can really dig my nails in and get into these amazing international stories that the team covers.
Last season, they covered the recession in a three-part series, guns in America, robots in Japan, and war in Iran. This season, more breathtaking documentary episodes to come.
And in the next two weeks we will hopefully be amping up Vanguard’s online presence through social media. While plenty have written off Twitter and Facebook as wastes of time, they still prove their worth interesting new ways — it’s all about connecting. And man that online world is crazy these days. I could spend a whole day on the Internet just exploring what’s out there, and I’d still be missing tons of awesome stuff.
Gotta be careful not to become obsessed though. Too much digitalia can rot your brain! Or reduce your sperm count! Or was that Mountain Dew…
Either way, the first episode of the new season, premiering Oct. 14, is called OxyContin Express. It’s about prescription drug abuse and how Florida plays a vital role in supplying pills.
HERE’S THE LINEUP:
The Oxycontin Express : 10/14/09
Cuba: Waiting for a Revolution : 10/21/09
Forest of Ecstasy : 10/28/09
Sri Lanka: Notes from a War on Terror : 11/04/09
Porn 2.0 : 11/11/09
Prison Contraband : 11/16/09
Remote Control War : 12/02/09
Cocaine Mafia : 12/09/09
Current has also been picking up some steam and notoriety here and there, which is really cool to see. While the Gore/Clinton Korea rescue propelled Current into public eyes, others have been noticing too (see above from iambrandx) — Rolling Stone even made mention of a brand new [mini]series Current is launching called “Embedded.”
Now that looks sweet: exclusive shows on Mos Def, Common, Ben Harper, Silversun Pickups, Thievery Corporation, and The Decemberists. Cannot wait for this. And it debuts right after Vanguard on the 14th.
Rolling Stone says this about EMBEDDED in reason #47 to watch TV this season (more on that later! cable looks like its pulling up it’s pants)
“If Animal Planet had a show that captured musicians in their natural habitats, it would look like this refreshingly raw documentary series. Ben harper gives a tour of his instrument shop in California; Mos Def roams the streets of Osaka, Japan. It’s artists in their everyday lives, free of the crowds.”
Oh yeah, and Vanguard’s blog tells us that Mariana made her way onto Dr. Phil for an episode about drug abuse airing, yep you guessed it, Oct. 14.
That’s all for now. More to come from inside the Vanguard office, and reviews from a slew of shows I saw in the past week: Portugal. The Man @ The Glasshouse, !!! @ The Troubadour, and Wallpaper @ Cinespace. Phew.
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