Posts Tagged ‘concert

08
Aug
11

Why RX Bandits’ farewell is not goodbye

Rx Bandits said goodbye in San Francisco on August 7, 2011 at the band's farewell show. The Seal Beach, CA group announced breakup plans earlier in the summer.

It happens to the best of us.

We get tired.

And that’s how it appears the road-weary RX Bandits are after a decade of constant touring.

The Seal Beach, California group is known for its transformation (see: evolution) from a late ’90s ska band to a four-headed beast of a band playing spacey, prog-rock with reggae and Latin influences.

At the height of the group’s career, RX Bandits played a trio of shows in New York and San Francisco, devoting each night to a full album performance of the band’s last three: The Resignation, …And The Battle Begun and Mandala.

Then, a few months ago, the band said they’d be calling it quits.

After 16 years and 7 studio albums, Rx Bandits announced on its website the following:

“Dear friends,
We would like to express our love and appreciation for all that you’ve done for us and how much a part of our growth you have been. We have all mutually decided that this summer will be our last tour. We love each other and love you all and hope to see you at the shows.

Much love & respect,
Rx Bandits”

When I heard the news, I was shocked and saddened. I’ve been following these guys since I saw them open for Reel Big Fish at the Fillmore in San Francisco around 2004.

The political messages about peace, not war, call and response sing-a-longs, extended jam outs, frenetic guitar noodling and improvisational drum solos are just a few of the

———- that make the bands’ live show a true performance.

I made it out to two shows on the band’s farewell tour — The Catalyst in Santa Cruz on July 30, where Berkley’s Facing New York opened and the FINAL PERFORMANCE at the Regency Ballroom in San Francisco August 7.

The Regency Ballroom was a the perfect opportunity for the band to bring out the big guns — a two-piece horn section to beef up older tracks. Both shows were packed, but the energy and emotion in San Francisco was over the top. Each cord resonated just a little extra for both the band and the crowd.

There were no goodbyes, just “I’ll miss you”s and the four members hugged, held hands and bowed at the end of a high-energy, two-hour set.

With a group of such talented musicians — Matt Embree’s powerful croons and free-flowing guitar licks, Steve Choi’s flying fingers on guitar and keys (and sometimes drums), Chris Tasgakis’ tight rhythms, and Joe Troy’s bass grooves — its apparent that the great music these guys play together will not cease.

The four core members have been playing together so long (more than a decade), they’re basically brothers. Choi insists in interviews that this is not the end of RXB, just the end of touring.

Not to mention, members of the group are distinctly connected to rising independent record label Sargent House, which they helped form in 2006.

Embree already plays solo as Love You Moon, and has started a new project called ME & LP, which is sounding oh so sweet.

Check out ME & LP – Bonnie Says (No Shitty Ride) below:

Embree and Tsagakis also have a Sound of Animals Fighting-esque project called Biceratops, and Tasagakis plays in a group called Technology.

Other projects from band members include Apotheke and Coke vs. Bill. The group’s involvement with Sargent House will keep them fresh as they continue to collaborate with bands like current touring partners Zechs Marquise.

Here’s to the end of an era…can’t wait to see what comes next.

  • (Editor’s note: It worked out pretty well for Gatsby’s American Dream, a popular Seattle indie band that broke up in 2006 and went on to form Kay Kay and His Weathered Underground, Wild Orchid Children, Search/Rescue, RedRedBlue, Keith Ledger, Zero Cool, Razia’s Shadow, Princess Dinosaur, Places and Numbers and TickTockMan)

VIDEOS FROM TWO OF RX BANDITS’ FINAL SHOWS:

RXB “Only For The Night” @ The Catalyst in Santa Cruz 7/30/11

RXB “Hidden Track” @ The Catalyst in Santa Cruz 7/30/11

RXB “Drum Solo” @ The Catalyst in Santa Cruz 7/30/11

Openers Facing New York play “Me and My Friendz” @ The Catalyst in Santa Cruz 7/30/11

23
May
11

Give this band some press: Let’s Drive to Alaska

From left to right, Let's Drive to Alaska is Marisa Kirtland, Chris Garcia, Cris Holguin and Patrick Haag.

Orange County indie up and comers Let’s Drive to Alaska are an experiment.

An experiment that explores the art of sound creation and manipulation.

Moody synths meld with glitchy beats and melodic strings to create an introspective and atmospheric arrangement. Throw in a dash of post-rock sensibilities and you’ve got Let’s Drive to Alaska.

Think From Monument to Masses meets The Notwist and the softer side of Explosions In The Sky. Music you can think to, write to, sleep to and even wake up to.

The Whittier-based instrumental outfit Let’s Drive to Alaska has become an OC mainstay throughout the last six months, making an impact on the local scene with well-honed live shows that draw a good crowd even on a Monday night.

The band’s May 23rd performance at Fullerton’s Commonwealth Lounge, where I caught them live, was no exception. This is a tight group — band member Cris Holguin says they practice three times a week, upwards of five hours at a time.

Yet no one is talking about them. You can find LTDA on Myspace, Facebook, Twitter, Tumblr and Soundcloud, but a quick Google news or blog search leads to links mostly related to, of course, Sarah Palin.

LDTA is a distinct breed of band, where the music stems from one person’s creation.

It’s like Nine Inch Nails, Trent Reznor’s industrial rock collective. Reznor writes and records most of the music but brings a full band on tour. Conor Oberst, frontman of Bright Eyes, and Zach Condon of Beirut have similar strategies.

In this case, it’s 23-year-old Chris Garcia…at least for now.

LTDA has seen a few different lineups, and the current four-piece is just Garcia’s latest efforts to realize his musical visions.

Garcia, who started making music on his laptop in 2005, has held many monikers for his eclectic musical projects. He has The Coherent Mammals, an ambient group not too dissimilar from LTDA and the more guitar-driven The Golden Tongues, to name a few.

With the latest incarnation, Garcia has brought on solid talent for a more permanent arrangement: drummer Pat Haag (ex-Mississippi Man), sampling and effects artist Cris Holguin and violinist/celloist Marisa Kirtland.

But the still-fresh group has yet to face it’s biggest challenge — winning over the toughest crowd to date: LA hipsters.

The band knows that pull in Orange County means nothing in Los Angeles and that it’s not unusual to play to an empty audience the first few shows.

They’ll find out soon enough as their first LA show is at The Airliner Monday night.

Right now, the group is putting finishing touches on a new EP, “Floating Mammoths.” This will be the first recording to feature the current lineup.

And while the album is almost in the bag, Holguin says he is working on a groundbreaking visual set to sync up to the music during live performances.

And if you’re curious about seeing Holguin on stage hooking up his effects board to a 20″ white iMac instead of a laptop, you’ll have to ask him about the first Let’s Drive to Alaska show for that story.

Check out a track from Let’s Drive to Alaska:

Pictures from the Commonwealth Lounge show HERE.

You can watch an interview with LTDA frontman Chris Garcia here:

Genre: Electronic/Experimental/Postrock/Electronic

10
May
11

Portugal. The Man surprises, delights sold-out House of Blues crowd

The lights are dim, the anxious crowd screaming and applauding, the curtains closed.

The TVs around the venue lit up with breathtaking imagery of glaciers and snowy mountains.

Portugal. The Man’s latest single “Got It All (This Can’t be Living Now)” begins to blare through the speakers, but it’s not them playing the music.

A 10-minute theatrical HD music video debuts before the band plays a note.

The video featured lead singer and guitarist John Gourley on some sort of “Into The Wild” adventure in Alaska.

Gourley, wrapped in a fur-hooded parka, is pulled through arctic tundra by a pack of sled dogs. And, without giving away the ending, finds himself on the ground, mouthing words to the song.

After the extended introduction, the four-piece started into a re-envisioned version of an old track from debut album “Waiter, You Vultures!”. Lights flashed as Gourley’s frenetic guitar noodling danced to distorted bass lines.

I’ve watched Portugal. The Man ascent to fame over the years, collecting each album and watching them live a handful of times.

Each performance is different than the last and Saturday was no different.

The Portland, Oregon by way of Wasilla, Alaska indie quartet group releases its sixth studio album “In The Mountain, In The Cloud” July 17 and used its sold-out House of Blues Anaheim audience as ears for many of the new tracks.

The group sprinkled a number of the new songs throughout the hour-and-a-half long performance that include a single song, but 10+ minute encore.

It was clear Portugal was on tour to generate steam for the upcoming release of “In The Mountain”.

Fans sang along to favorites from the popular (and more pop-sounding) album “The Satanic Satanist”, which helped but the band on the map and in 2010, secure a deal with Atlantic Records after two, two-record stints with Fearless and Equal Vision Records, respectively.

The band has progressed a lot since the falsetto vocals matched to drum machine beats and introspective guitar riffs. The sound has opened, Gourley’s voice has progressed — along with the backup singing — and the new stuff sounds wide open, soaring and even a bit grandiose. Somewhere between “Censored Colors” and “Satanist”.

You’ll have to listen to hear what I’m talking about:

Below, videos from the performance!

04
May
10

NeedtoBreathe bring major label shine to Glasshouse in Pomona

NeedtoBreathe‘s performance at The Glasshouse in Pomona last Friday was startlingly impressive.

NeedtoBreathe is an alternative rock band from Seneca, South Carolina. Some might call it Christian rock, which makes sense since brothers Bear Rinehart (singer, lead guitarist) and Bo Rinehart (guiatrist, vocals) are the sons of an Assembly of God pastor.

The group has got a Midwest-style look and sound, between their cowboy boots, tight jeans and plaid Western shirts.

Frontman Bear (no known relation to Bear Grills) could best be described as the lovechild of Kid Rock and Sawyer from Lost (he’s second from left above).

He’s got the gruff, bad boy appeal with tattoos and long blonde hair and the perfect voice to match.

Rinehart’s raw voice keeps the band from sounding too clean, but the sound is perfectly polished. Live, they sound phenomenal – maybe it was the mixing or the shiny, high end equipment, or the major label support, but I was blown away by the quality.

Not that RX Bandits and The Dear Hunter weren’t awesome at The Glasshouse a couple weekends ago, but being signed to Atlantic Records apparently means a big difference.

It’s not often I catch major label acts, since I try and avoid mainstream music as much as possible (thank you top 40s, now go to hell).

But Atlantic’s been eating up some of my favorite artists recently, namely Equal Vision Records labelmates Circa Survive and Portugal. The Man.

But I’ve been singing NeedtoBreathe’s “Washed by the Water” in my head since they performed an intimate, full acoustic version to finish off their show.

Check out “Lay ‘Em Down”, “Girl Named Tennessee” and “We Could Run Away.”

Call it Christian rock if you want, but it’s just damn good. “The Outsiders” is the third and latest studio effort from this quartet, and with appearances by stomp-clap rhythms, banjo and harmonica it’s a must hear.

>>>Below, “Washed by the Water” acoustic at the Glasshouse in Pomona, April 30:

>>>Below, “Lay ‘Em Down” is one of the standout tracks of NeedtoBreathe’s new album “The Outsiders”:




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