Archive for October, 2009

26
Oct
09

Mirthless “Couples Retreat”, heartfelt “Wild Things”

Man I wish I had time to update more!

I’m lucky if I pull off once a week. Vanguard 3 days a week, Apple 4.

I did squeeze in some time with the girlfriend to catch a double feature (it’s where you pay for one movie, see two. only way to go when you’re chocking up 10+ bucks for a single admission!) last night.

Saw Where The Wild Things Are and Couples Retreat.

I thought Wild Things was beautifully done. Definitely not child’s play. The animatronic and CG wild things (monsters?) looked great and were very entertaining to watch. Max was great. Cute kid. Reminds me of myself when I was little…playing for hours upon hours with legos and action figures and making forts. Don’t think I had a animal suit that cool though.

Everyone has been saying the same things — it’s too dark for kids. I’ll agree on that one…if I had a child who wanted to see the film though, I wouldn’t hesitate to bring them along…with the warning that there’s some scary scenes where they should shut their eyes or hold daddy’s (eh, maybe mommy’s) hand.

But what a true adaptation. I grew up on that book, and remember the bitter feelings of loneliness Max carries. Can’t blame a little boy for wanting attention. And while he’s a little troubled, I’m on his side. He’s just acting out because no one cares about what he does. Which is, of course, why he goes and finds himself a mystery island full of scary-friendly creatures who want him to be their king.

The tormented themes within the culture of the wild things is also very mature and all too real for plenty of adults. But other than a shred of fantasy violence and some scary moments with Max in danger, it’s a PG movie with a PG-13 feel at times.

And now to the BAD stuff. The really, really bad stuff.

Couples Retreat.

We’ve got Kristin Davis, Malin Akerman, Kristen Bell on top. Jason Bateman, Vince Vaughn and Jon Favreau, on top. Not to mention Faizon Love (the big black dude) and cameos by the funny gay guy and the hilarious little Asian man from Community, The Goods and The Hangover.

All in one movie! With a ripe premise, too. And they still couldn’t pull it of?!

I mean, I was disappointed by Extract too, Batemen (and Mike Judge). Batemen’s great, and I loved him in Arrested Development. But these projects need some better directors, writers, producers, something!

It’s almost comedic that Hollywood still makes shitty movies this bad. Couples Retreat could’ve been saved with better editing — it was 2 hours, a half hour too long. Plenty of unnecessary scenes like the gay sauna comments and Guitar Hero nonsense. And I could’ve gone with a little less of the sexy Fabio-like yoga instructor flaunting his bod…and his pod (package?).

It’s easy to see that a bunch of studio execs thought this would be a good idea:

Great star power (even though that matters less these days)

Funny concept

Bikini-clad island girls

Vince Vaughn and Jon Favreau at the helm, writing and producing

…but what they didn’t tell us in the previews was how there was going to be a good 4-minute Guitar Hero advertisement right about two thirds into the movie. LITERALLY. A 30-second joke? I’ll get over it, full-well knowing it’s a paid joke, assuming the plot moves on.

Instead, it decides to dwell. For a really pointless, bland and unfunny scene where Vaughn has a Guitar Hero-off with the douchey resort dude. How original. Let South Park make fun of it, because they make it funny. You, Couples Retreat, despite the ridiculous nature of grown men using three-foot miniature, plastic guitars; utilize a cheesy, fluorescent split-screen, overlaid videogame graphics, and pointless, predictable banter.

Frankly I’m offended. I wish I could find out how many millions Activision spent for that blatant screen time.

Despite the usual abundance of product placement and script integration — we’ve got Applebee’s, Apple, Microsoft, GMC, Volkswagen, Starbucks and about 10-15 more I can’t remember (no joke, I nearly counted to 20). It’s a fun little game I play when I see movies: see how many times different products are shameless plugged. If you count up the amount of screen time and number of mentions you can easily tally up a good chunk of how that movie was probably paid for.

Now I’m just talking out of my mouth because I don’t feel like Googling a bunch of links right now, but this “subliminal” advertising has been growing and getting out of control. It’s been going on forever in Hollywood, and the secrets been out of the bag for a while — even Marty McFly in 1985′s “Back To The Future” (me, this Halloween) was sporting some classic Nikes as he filmed Doc send the dog back in time outside a JC Penny in Pomona, California.

[Yes, that's right, Pomona. I bought the DVD and watched Michael J. Fox talk about filming in a mall parking lot in Pomona late at night. Also, Current TV's Embedded featured some great shots of downtown Pomona and The Glasshouse in last week's episode on the Silversun Pickups.]

16
Oct
09

Watch The OxyContin Express

It was a big night Wednesday when the new season of Vanguard premiered with OxyExpress and Embedded premiered with Mos Def in Japan.

The teams that worked on these two awesome shows celebrated at Little Bar a few miles from the office with Mediterranean grub and Current playing on about 5 or 6 TVs. The observations from around the bar appeared to be that the premieres went off without a hitch.

The bartender even made a special martini for us — the Vanbedded.

I’m not sure what was in it, but Vanguard PA Tania Rashid had one!

I didn’t even have to buy myself a drink. I tried, but Infomania’s Conor Knighton and later Vanguard’s Darren Foster had me covered. Thanks dudes!

“The OxyContin Express”, Vanguard’s first of the new 8-episode season, is a must-see. But so are the exclusive web extras.

You can check out an extended interview and follow up with Todd, who says he’s been sober for nearly 100 days. Good for him!

As well, you get to see some footage from the cutting room floor that didn’t quite make it into the doc. A jailed drugee scares to a group of school children straight and Todd’s mom confronts Todd about his addiction.

While this is the third official season of Vanguard, to many just discovering us, it’s their first. 

In case you haven’t figured it out, Vanguard’s mission is to cover stories that no one else is covering. While many news organizations attempt to do this, the young correspondents at Vanguard aren’t afraid to get their feet and hands dirty.

 As Vanguarder Mitch Koss put it yesterday, the mission “is to try to keep track of important changes in the world, changes that affect us all, but might not get a thorough examination if we don’t look at them. We try to tell you important stories that otherwise might not get told—because we think it’s important for society that we know and understand” what’s going on around us.

So to introduce myself, I’m Vanguard’s one and only intern. I’ve yet to fetch coffee and I haven’t even bought my own drinks. So the situation could be much, much worse.

Instead, I get to transcribe interviews from upcoming documentaries. That means sneak peeks at what is to come.

I also do lots of research on potential upcoming stories, like the kidnapping industry (yes, industry) in Mexico and how tourism is starting to pick up in Iraq. Sometimes, I even watch porn in the office to make sure correspondent Christof Putzel is including the best examples of amateur or professional pornography scenes for the upcoming episode “Porn 2.0″

 Now I don’t come from a political science or history background, or even much documentary experience.

But as Christof told me, he got started doing this by picking up a camera and telling a story. And that’s the kind of journalism Vanguard does. We throw away the concept of a traditional standup and suit-and-tie journalism, and replace it with compelling observations and “boots-to-the-ground” reporting.

I come from a newspaper and web journalism background, but know my way around a videocamera and a voice over. The question I get all the time is what kind of journalism do you want to do?

Well, that seems like an unfair question to ask a journalist entering the field. If I didn’t say documentary journalism when Current interviewed me for the internship, they’d probably ask me why I want to work here.

The answer to that is simple: I like what Vanguard does, and journalism is journalism. While many people these days question the existence of true journalism, the younger generation isn’t the same. We’re not giving up so easily.

I don’t know if I have a favorite kind of journalism, but I know I’ve got to have experience in all media platforms. Be it TV, radio, Internet, print, etc., the skills can be applied and adapted.

09
Oct
09

Vanguarding

oxycontin express

oxycontin express

Current TV.

Founded in 2005 by Al Gore and businessman Joel Hyatt, the 24-hour TV network incorporates viewer-created content into much of its programming.

VANGUARD is Current’s investigate news outlet, featuring 30-minute (sometimes an hour) documentaries on stories that are not being reported by everyone else. You hear the same regurgitation of news through the excessive modern media outlets; online, in the newspaper, in your e-mail, on TV, and maybe even from your friends.

Vanguard takes the time to consider everything else that’s going on in the world that most of us Americans have no idea about. And they do in an invigorating way that is both informative and entertaining.

The new season debuts Oct. 14 on Current’s TV station, which you can find through your cable listings.

However, the season premiere, “OxyContin Express” is available for streaming on Hulu already. It’s the seventh one over if you scroll through the featured shows.

….and right now, Laura Ling and Euna Lee, the two captured journalists that made headlines upon their high-profile return a couple months ago, are in the Vanguard office doing a shoot for a Glamour magazine piece.

DirecTV Channel 358
Dish Network Channel 196
Sky Digital Channel 183
SKY Italia Channel 130
Cable
Comcast Channel 107
Virgin Media (UK) Channel 155
Bright House Networks (Tampa, FL) Channel 128
07
Oct
09

A real update? Something to say, music to spare

So my biggest problem with blogging is that I don’t take enough time to actually do it!

Right now, my schedule is pretty intense — Monday Wednesday Fridays @ Current TV in Hollywood (more on my experiences with LA public transportation to come). The other four days of the week are at The Apple Store in Brea. The rest of my time consists of sleeping, eating (yet another topic of discussion to come), drinking girlfriend, email, etc.

Though I do spend a lot of time on computers, I tend to be doing other things. Like devouring news, interning, and selling them.

Computers aside, let’s get to last week’s shows (I know, sooo outdated. so sorry. my post times should improve with the upcoming purchase of a long-awaited iphone (more on that later, again)…

The experimental indie group started a dance party at the Troubadour Sept. 27.

The experimental indie group started a dance party at the Troubadour Sept. 27.

!!! (pronounced, sometimes written chk chk chk) rocked the house at the Troubadour in West Hollywood, one of my all-time favorite venues. Small club with two bars, and a very up close and personal stage.

Played a lot of good ones from “Myth Takes” and an older one called “Intensify” that was awesome.

An all-out dance funk party. The crowd was into it; touching, fondling and grooving to the somewhat homoerotic dance moves and hip thrusts from frontman Nic Offer.

And there was an awesome old-school cool black lady singing gospel-punk style backup, dancing and clapping when she didn’t have a part.

The eight piece Brooklyn ensemble definitely kicked ass, and the crowd interaction with Offer was great. He even went up to the green room at one point mid-set, not coming back to the stage until a few minutes into a new song.

Most impressive though? The Troubadour fans actually screamed and clapped loud enough, for a good long 1 or 2 minutes (gasp!) before the band returned. Which in writing doesn’t seem all that cool, but if you’ve been to as many rock shows as I have where the audience hammers out a clap for under 30 seconds before a group comes back, that’s just lame. If you’re gonna put on an encore, make sure it’s really worth it! I can’t remember what songs were played for the encore because it’s been too long, so we’ll move on.

——-

Rewind one night and I’m at the Glasshouse in Pomona. I love this locati0n. Mostly because I can catch great bands really close to home. I live a good mile away from downtown Pomona and have been taking the Metrolink from there to get to Hollywood lately. The train station is actually quite nice. A transit center for buses too. But I also love the Glasshouse because there’s now an amazing bar next door called Acerogami. Nothing on tap disappoints me greatly; but Perry Tollet, the owner of the Glasshouse, Acerogami, and part-owner of the Pomona Fox and Goldenvoice, apparently has a thing for Souther American beers…so besides the basic low quality bottles of domesticated Coors and Miller stuff, ask for the unique ones.

Getting to the point here, I went with my buddy Art to see Portugal. The Man. This is a band I will not stop talking about. You can watch or listen to a live performance in the KCRW studios here from a few weeks ago to see what I mean. The band’s live show has evolved greatly from simply performing excellent quirky indie numbers to turning the set into a full-on jam experimental jam session with a few pop morsels from their latest, The Satanic Satanist, to round things out.

Words can’t describe, so go here for yourself. I’ve still got a tune called “The Sun” sitting in my box widget over on the right hand side that you can download, free of charge. I’m sure the Alaskans by way of Portland (from Alaska, residing in Portland) wouldn’t mind. Share the love right

ptm

——–

TO finish this age-old update, I also caught Wallpaper (I know, crazy fuckin week) on Tuesday @ Cinespace. An entertaining performance for sure. Amazing? Naw, but we had fun. Wallpaper, I recently discovered, is a hilarious side project of Eric Frederic. Who is he? He is someone I’ve been following for years, fronting Locale A.M. and more recently Facing New York. FNY is incredible — an audio triceratops as Matt Embree of RX Bandits once referred to them as in conversation.

Wallpaper is more of an autotune R&B white rapper kinda thing that is ridiculous in far too many ways to explain. The dude’s wearing white jeans, a 70s style shirt, a gold chain, shades and a hat, singing about “going big on the weekend” in my personal favorite: T-Rex. See for yourself…thanks to my friend Claire for introducing me, not knowing who was behind the creation, and to my friend Grant who probably thinks its awesome:




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